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Photography by: Noel Shelley, Rogerio Silva, Carlos Delgado, Jessy Boon Cowler, Olya Glotka, Pari Naderi and Livelywood Pictures, Patrick Dodds, Peter Mould

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Salomé (film) 

2019
Sexuality and dogma collide in provocative study of the human nature.

Sexuality and dogma collide in provocative study of the human nature.

Salomé is the new dance short film by director Rogério Silva in collaboration with London-based EDIFICE Dance Theatre (EDT). The film, loosely based on Oscar Wilde’s play of the same name, captures the electric moment Salomé and Jokanaan first meet. As the fateful encounter begins, sexuality and dogma inevitably collide in a spiralling dance of obsession and rejection. Progressively, Salomé’s wicked gaze permeates the principles in which Jokanaan’s built a life of virtue and restraint.

To begin with, both Silva and EDT felt it important to strip away centuries-old interpretations of female subservience that is present within the biblical narrative. The film looks more favourably towards the text of Oscar Wilde, where the once nameless daughter of Herodias becomes a young woman charged with agency and power. Aligned with Wilde, the film embraces Salomé as a complex figure and liberates her desire to consume the world around her.

But unlike previous adaptations of the material, the film focuses on the effect Salomé has upon Jokanaan and his world of orthodoxy. Far from casting Salomé as the poisonous woman that corrupts Jokanaan, Silva and EDT chose to highlight both characters strengths and weaknesses, for a thought-provoking portrayal of one of humanity’s most enduring battles – sexuality versus dogma.

Ultimately, neither Salomé nor Jokanaan evolve their unreconcilable values, but the encounter provokes in them a profound question. Can they dare to consider, even if momentarily, entirely conflicting values and beliefs to their own? Can Salomé appreciate the appeal of a system that rewards restraint with a protected existence? And can Jokanaan realise that morality is all but mankind’s invention and, therefore, malleable?

Film.

Produced by EDIFICE Dance Theatre in collaboration with Black Screen Productions

Directed by Rogerio Silva

 

With Carmine de Amicis and Harriet Waghorn

 

Choreographed by EDIFICE Dance Theatre

 

With Andre Kamienski, Nanci Berti and Sergio Jaraiz

 

Music by Symphocat 

 

Vocals by Oksana Ferenchukt

 

Cello by Katerina Kartushina

 

Shot, Edited and Graded by Rogerio Silva

 

Production Design by EDIFICE Dance Theatre

 

Costume Design by Loranique Pienaar

 

Location Scouting by EDIFICE Dance Theatre

 

Shot on Location at Asylum Chapel, London